Edinburgh Film Festival: Balance, Not Symmetry

I really wanted to love this film. The director seems like quite the sweetheart, and it was clearly a deeply personal journey for him. The cast includes some incredible people I adore to see on screen. Biffy Clyro make sick music and of course I’m delighted to hear more of it. Unfortunately, so much of this movie had me rolling my eyes.

Image of Jamie Adams and some cast introducing the film at the Festival theatre

I enjoyed parts of Balance, not symmetry – honestly I really did. There were bits of it that were nice, and it did have touching and real moments. I thought many of the actors were pretty excellent – Freya Mavor was wasted though. Despite being perfectly nice, this movie isn’t one I would ever fully enjoy. The message of the movie is so outrageously pretentious it made me want to bang my head against a wall. The film really is deeply personal to Jamie Adams, but it’s so personal that I don’t think he was able to view it objectively at all. 

By the close of the film my take on the messaging was that art exists as a cathartic process for artists, and nothing more. The movie is simply trying to justify its own existence throughout. This isn’t entirely untrue, but it sure demeans the power of art. I can’t help but feel like the Director knew it was going to be a poor film, so wanted to make it clear that he doesn’t care because it’s just him processing his emotions.

image of movie ticket gin and tonic and salted caramel ice cream

Art is in part for the artist, I will accept that. It is an incredibly productive tool for addressing the experiences, emotions, and journey of an artist. However, part of that power is how the human experience will resonate with the audience. The audience is important, and connecting with an audience through your work is important, as much as this film doesn’t want it to be. The story Jamie Adams wants to share is just too close to him to make it something the audience can share in.

This a perfectly nice movie with nice moments. The music is good, though an awkward fit at times (especially given it was written for the project). The cast is lovely, though their skills don’t always rise to the improvisation challenge. It’s an interesting exploration of the art world but one which ultimately rests at a boring conclusion. There are just too many ‘buts’. Unfortunately this movie is ultimately forgettable.